Heroic attempt falls short

Andrew Reiner / Game Informer Magazine /

In the final moments of “Infamous,” we learned that Cole MacGrath was destined to save humanity from a powerful being known as “The Beast.” This message was sent from a future version of Cole, who had gone back in time to shape his younger self into an instrument of destruction capable of stopping the threat. This plan didn’t work for John Connor or the robots in the “Terminator” movies, and to no surprise, it doesn’t work here. When the Beast arrives in the first few seconds of “Infamous 2,” Cole wastes no time trying to fulfill his destiny.

Their battle consists of heart-pounding aerial combat, narrow escapes, and massive environmental damage all beautifully framed to show a towering sense of scale. The Beast stands over 200 feet tall, and the trail he blazes leaves nothing but death and embers where buildings once stood. This awe-inspiring scene is reminiscent of the opening battle in “God of War III,” only with a much different outcome. Cole’s electrifying blasts only seem to anger his foe. Cole is not powerful enough to win this fight. The only hope of stopping the Beast now rests in the hands of Dr. Wolfe, a scientist who believes he can amplify Cole’s powers.

This brilliantly designed opening gives way to an unexpected shift in tone, where a great threat looms over the entire story and uncertainty rests in the mind of all of its major players, Cole included. His act of cowardice doesn’t just give this story’s opening a dark “The Empire Strikes Back”-style tone, it leads to a dramatic change of setting.

Dr. Wolfe lives in New Marais, La., which is basically this world’s version of New Orleans. This city has a quaint, old-town feel and an inviting allure. Street performers line the sidewalks of the commerce district, and tourists always seem to have their cell phone cameras activated when you run past them. The beautiful craftsmanship Sucker Punch put into this city makes it a sightseeing marvel. Battles erupt in aboveground graveyards, collectible shards hang precariously on the sides of historic neon-lit buildings, and the forgotten flooded districts and dangerous swamplands lie in the shadows beyond. While New Marais lacks the architectural verticality of Empire City, its wetlands make it a more dangerous place for Cole to navigate, mostly because the protagonist has electricity running through his veins.

Cole’s standing in this world, and the tale that unfolds within it, is once again dictated by player choice. “Good” and “evil” options accompany most missions, and portions of the game and story close off based on Cole’s choices making it a game you’ll have to play twice if you want to see it all. However, this time around, Cole isn’t as emotionally invested in the plot or choices tied to it. His role is that of an organic Mega Man, powering up as he goes. The “Cole versus the Beast” plot hook isn’t handled well and loses its allure as other confusing narrative threads take shape.

Although this isn’t as gripping of a journey for either Cole or the player, the activities tied to both sides of the moral spectrum hammer home the feeling of being “good” or “evil,” and offer up fitting gameplay variations for each. No matter the side, Cole is capable of tearing apart city blocks. He can summon tornados, launch lightning missiles, and for the first time, he’s a force to be reckoned with in close-quarters conflicts. The biggest addition to his move set is a melee weapon called the Amp, a giant electrically charged tuning fork used for clubbing enemies in overly stylish ways.

The more I played “Infamous 2,” the more I found myself disengaged with the story, instead enjoying the experience solely for its amazing open-world superhero fights. The game sacrifices its narrative flow for more fantastic elements. This isn’t a necessarily a bad thing; it just ends up being more about the action and random moments than Cole’s journey.

‘Infamous 2’

8.75 (out of 10)

PlayStation 3

Sony Computer Entertainment, Sucker Punch

ESRB rating: T for Teen

New game releases

The following titles were scheduled for release the week of

• “Pro Jumper Chimaki’s Hot Spring Tour Guilty Gear Tangent?!” (DS)

• “Trenched” (X360)

• “Cars 2: The Video Game” (Wii, X360 PS3, MAC, PC, DS)

• “Reel Fishing Paradise 3D” (3DS)

• “DualPenSports” (3DS)

• “Gummy Bears Magical Medallion” (Wii)

• “Maximum Racing: Super Karts” (Wii)

• “L.A. Noire: Nicholson Electroplating Disaster” (X360, PS3)

• “Shadows of the Damned” (X360)

• “Dungeon Siege III” (PS3, X360, PC)

• “Shadows of the Damned” (PS3)

• “F.3.A.R.” (PS3, X360)

• “The Legend of Zelda: Ocarina of Time 3D” (3DS)


Top 10


The editors of Game Informer Magazine rank the top 10 downloadable games for June:

1. “Outland” (PS3, X360)

2. “Gatling Gears” (X360)

3. “The Dishwasher: Vampire Smile” (X360)

4. “Call of Duty Black Ops: Escalation Map Pack” (X360)

5. “Pinball FX 2” (X360)

6. “Section 8: Prejudice” (PS3, X360)

7. “Chime Super Deluxe” (PS3)

8. “Might & Magic: Clash of Heroes HD” (PS3, X360)

9. “Dungeon Defenders” (PS3, X360)

10. “The Fancy Pants Adventures” (PS3, X360)

— McClatchy-Tribune News Service

Weekly download


For: iPhone/iPod Touch

From: Kijjaa Ltd

iTunes Store Rating: 9+ (frequent/intense cartoon or fantasy violence)

Price: $1

Nintendo made a big splash last week with the public unveiling of the Wii U, but it’s far from the only company experimenting with gameplay that has one device’s screen controlling another. Take, for instance, “kijjaa!,” which uses the iPhone and iPod Touch to control a game that takes place on any screen you own that can display a Web browser with Flash. Visit the website (kijjaa.com/air,) enter the code it displays into the game’s screen on your iPhone or iPod Touch, and a moment later, you’re using that device (tilt to steer, onscreen buttons to fire) to control a faux-3-D space shooter in the Web browser. “kijjaa!” isn’t terribly elaborate as shooters go: You shoot approaching ships, projectiles and boss enemies and try to stay alive while racking up a high score. But as a proof of concept, it’s pretty awesome. Provided you have a decent Internet connection, it also just works, interpreting your tilting and shooting with enough responsiveness that your device might as well be plugged into the computer. (If you have an iPhone, the device even vibrates when an enemy hits your ship.)

— Billy O’Keefe, McClatchy-Tribune News Service

This image is copyrighted.