Entertainment

58° F Overcast

Central Oregon Forecast

Articles Restaurants Web Newsprint Archive 1907 — 1994

Stop-motion takes the lead in animated picture field

By Rebecca Keegan / Los Angeles Times
Published: January 12. 2013 4:00AM PST

LOS ANGELES — In a golden age for computer-generated animation, the Academy of Motion Picture Arts and Sciences has rewarded a comparably antique technique — stop-motion animation — with three of its five Oscar nominations for animated feature.

“Frankenweenie," directed by Tim Burton; “ParaNorman," directed by Chris Butler and Sam Fell; and “The Pirates! Band of Misfits," directed by Peter Lord, were all made using an arduous process that requires animators to adjust a puppet’s movement frame-by-frame to tell a story.

The category’s two other nominees, “Brave," directed by Mark Andrews and Brenda Chapman, and “Wreck-It Ralph," directed by Rich Moore, were made with CGI.

This is the first time that three stop-motion movies have been honored since the animated category was created in 2001.

“What it says to me is that people really do love this medium," said Butler, whose zombie comedy “ParaNorman" is the second Oscar nod for the tiny, Hillsboro-based Laika Studios.

“They respect it as an art form. They don’t just respect how it looks. They understand how much of a Herculean effort it is to make these movies — the hands-on, workshop-full-of-crazy-people aspect of it."

The animated feature category didn’t exist when “Pirates!" helmer Lord directed his last feature, “Chicken Run," in 2000.

“I feel like a pioneer," said Lord, whose British-based studio Aardman Animations has been credited with helping revive the medium. “When we did ‘Chicken Run,’ it hadn’t been seen for a long, long time. I don’t like to talk about it as being some ancient craft like blacksmithing, but it is a craft."

Stop-motion animated movies traditionally feature quirkier subject matter, with smaller budgets and smaller box-office returns than digitally animated films. The combined domestic box office of the three nominated stop-motion pictures — $121.8 million — is less than either of the other two nominees alone (“Brave" with $237.3 million and “Wreck-It Ralph" at $179 million).

Among the studios in the animated feature category, Disney fared best, collecting three nominations, for Pixar’s “Brave" and Disney’s “Frankenweenie" and “Wreck-It Ralph."

View The Bulletin's commenting policy »

comments powered by Disqus